Excerpts from ‘Engaging in a Divided Society’



On February 25, 2025, the Suburban Illini Club hosted the College of Media for “Engaging in a Divided Society: Lessons from Journalism,” a panel discussion on how to engage with others in an age of polarization.

Panelists from Engaging in a Divided Society

Moderated by College of Media Dean Tracy Sulkin, panelists included journalism faculty and alumni: 

  • Leon Dash, Professor and Swanlund Chair, Department of Journalism; 1995 Pulitzer Prize Winner for Explanatory Reporting while at The Washington Post
  • Colleen King, Clinical Assistant Professor, Department of Journalism; Director of the Richard and Leslie Frank Center for Leadership and Innovation in Media; former Executive Producer for MSNBC’s The 11th Hour with Brian Williams  
  • Dan Balz (BS ’68, MS ’72, journalism), Chief Correspondent at The Washington Post covering national politics, the presidency and Congress
  • Stephanie Lulay (BS ’08, journalism), Executive Editor and Co-Founder, Block Club Chicago, an award-winning, reader-funded nonprofit newsroom focused on Chicago’s neighborhoods

The webinar was a continuation of a College of Media series launched in Fall 2024 called “Bridging Divides: Conversations on Media and Disagreement.” 

Read excerpts from “Engaging in a Divided Society” below. Note: Answers have been condensed for length and clarity.


Sulkin: It strikes me that a threshold that we discuss a lot is the lines between news versus commentary. And many see the lines between those two as becoming increasingly blurred. I wonder what your thoughts are about the extent to which that seems a useful theoretical divide, and then what the consequences are of the blurring of those lines.

Dash: News columns are very clear that they are news columns, and I try to point that out to the students, in terms of understanding what a news column is. An opinion column is very, very different from a news column, in which you have a lot of leeway to express your opinion. I think social media has blurred the lines between what is considered news and what is considered an opinion. But I think the conventional publications have continued to distinguish between the two and keep them separated.

Lulay: I think Twitter/X and TikTok are full of opinions. We’re in a period where newsrooms are rapidly disappearing and we’re in an era that the world really needs more truth tellers. Something I’ve seen, engaging with readers for a long time, is that readers on the whole really aren’t able to distinguish between news-driven reporting and opinions on the Op-Ed page, and I think that that damages trust.

Balz: One of the things we’ve noticed is that commentary and opinion writing draws a huge audience. And we know that because of the siloed nature of how people get their news, that people seek out opinion journalism that conforms with their points of view. And in the in the digital age, particularly when you’re looking at a homepage for—whether it’s the Washington Post or the New York Times or the Wall Street Journal—the commentary pieces are right there smack next to the news pieces. In a printed paper, the opinion pages are in a separate place. They’re clearly marked. But in a sense the, the presentation has helped to blur the lines.

Sulkin: We’ve been talking about the public’s trust in the news and looking at polling about what people think about the media. There’s been a slow decline in trust in all sorts of institutions over the past several decades, with the news media being part of that. Pew reports that over three-quarters of Americans and majorities from both political parties think that news organizations tend to favor one side or the other. Yet large majorities also say that news coverage keeps politicians from doing things that they shouldn’t. So that scrutiny, that watchdog role, still holds. What are your views about what would help the public to regain trust, if we think it’s been lost, or where could we build on some of those pockets of trust?

Lulay: I’m really happy to be in a local newsroom these days. I think we can make a real impact in terms of trust. Trust is built from the ground up and there’s no better place to build relationships with readers than in a local newsroom. Rebuilding trust in our city is key to why Block Club was founded.

When we started this newsroom, there was a study that trust, particularly on the South and West sides of our city—these are under-resourced areas of our city—trust was at an all-time low with the media. And that was because of generations of the media either only reporting on crime or chaos that happened in those neighborhoods, if they ever showed up at all. At Block Club, instead of covering a traditional beat like courts and education in such a big city where there’s too much going on, our reporters are assigned to two to three contiguous neighborhoods. And when they’re covering a smaller area like that, they really are able to build close relationships with readers, which we believe ensures the news that we’re reporting not only reflects what they most care about, but also leads to a more accurate portrayal of their neighborhood.

King: I would say it’s very tricky because the skills that we teach our students to cover Chicago and maybe go work for Stephanie [Lulay] are not different than skills I would teach up-and-coming reporters to go work with Dan [Balz]. I think people are turning off the news in large part because it always seems like bad news right now. So perhaps we can be more creative in our angles, but I also think transparency is a big part of reporting. And being honest in what we know and what we don’t is a big part of it, too. You know, it is our job to hold people accountable; that’s why we do what we do. Hopefully over the course of time, people can see that our reporting holds up and is fact-based and we’re just trying to report the truth as best we know it.

Balz: Repairing the decline in trust is a very difficult job that we can’t do in and of ourselves as news organizations. What’s happened in terms of the decline of trust is a societal-wide problem. Just as the polarization of the country is a societal-wide problem. And it will take time to begin to overcome that. We have a role to play in that. There are things we can do about that. Colleen [King] is exactly right. Transparency is important. The idea of being open about what we know and what we don’t know is important. But we also have to do what we’ve always done, which is to be aggressive in our reporting and follow that wherever it leads us and live with the consequences of that. Our first obligation is to find the truth to the best that we can find it on any day or week.

Sulkin: We had Chuck Todd visit the College of Media in December right before he announced that he would be departing NBC News after a long career there. I think a narrative thread he was pulling was that local news is the cure to what ails the news ecosystem. I think part of the argument was that maybe if folks have the opportunity to engage with local news, that helps with some spillover to how they think about national news. But the growing news deserts mean a lot of folks don’t have local news. As we are preparing students and launching them out into their careers, Colleen and Leon, what are we doing to correct some of these news desert issues?

Dash: My emphasis with my students is fact-based reporting. It’s a no-no in my classes when they say, ‘I assume’ or ‘I think.’ I say you shouldn’t be ‘assuming’ and you shouldn’t be ‘thinking’ anything. You should know. If you don’t know, you should say you don’t know.   And transparency is a big part of that. Being honest and upfront. I don’t even know how you overcome this divide in this society today. But in terms of conventional journalism, fact-based reporting is very, very important and transparency is also very important.

King: And I would say we’re training our student journalists to learn all kinds of skills. Our students are leaving our universityknowing how to podcast and write, do audio and video journalism, and write online or for print news outlets. So they could really drop in anywhere and cover any community they want to. While we’ve got many who want to return home to the Chicagoland area, or make it big in New York or LA or Washington, we do encourage them to think about covering smaller communities— at least getting a start there—and understanding what it’s like to cover a community where you do get to know your audience and the people you’re covering and in government as well.

Share on social

Media faculty and TAs make list of teachers ranked as excellent



Congratulations to all the College of Media faculty and teaching assistants who were ranked as excellent by their students!

Congrats!

This list is based on Instructor and Course Evaluation System questionnaire forms completed by students during the Fall 2024 semester and Winter 2024-25. Only those instructors who distributed ICES forms at least once during this time period and who released their data for publication are included in the list. View the complete list.

Note: * denotes that the instructor ratings were outstanding.

ADVERTISING

KENT BROWN – ADV 314

STEVE HALL – ADV 150

JACQUELINE HITCHON – ADV 250

SHACHAR MERON – ADV 290, 390

MICHELLE NELSON – ADV 598

*MARISA PEACOCK – ADV 491, 498

SELA SAR – ADV 550

PETER SHELDON – ADV 452

JOURNALISM

CHRISTOPHER BALL – JOUR 101, 451

LEON DASH – JOUR 482

*ALISON DAVIS – JOUR 215, 240, 340

JOSH HEUMAN – JOUR 311

ED KIESER – JOUR 427

VINCE LARA-CINISOMO – JOUR 361

CHARLES “STRETCH” LEDFORD – JOUR 215

CAROL LOMBARDI – JOUR 220

MEDIA

*DANIEL ALMANZA – MEDIA 199

EDDIE NJOROGE – MEDIA 100

MEDIA & CINEMA STUDIES

CL COLE – MACS 356

VICTOR FONT – MACS 260, 370

DORIE GEISSLER – MACS 224

JOSH HEUMAN – MACS 391

DEREK LONG – MACS 211

*JENNY OYALLON-KOLOSKI – MACS 485

STRATEGIC BRAND COMMUNICATION

*SHACHAR MERON – SBC 500

STEVE RAQUEL – SBC 502

TEACHING ASSISTANTS

C. CHICK – ADV 150

*K. COOK – ADV 250

*A. GOODREAU – ADV 150

M. KHOWAJA – ADV 150

J. LIN – ADV 360

A. LIU – ADV 250

M. LYERLA – ADV 284

*Z. RANDOLPH – ADV 360

M. ZHAO – ADV 150

*D. CARRILLO-FUCHS – MACS 101

T. CHEN – MACS 150

*J. CINTRON – MACS 101

*Y. GAO – MACS 101

W. HELMKE – MACS 260

Y. HONG – MACS 100

A. JI – MACS 100

*Y. KANG – MACS 101

K. KRISHNA – MACS 101

*G. LEONARDO – MACS 375

J. OH – MACS 100

A. PENG – MACS 101

J. ZHANG – MACS 150

Share on social

Ebertfest announces remaining films and special guests attending the 2025 festival

Director Francis Ford Coppola to participate in a virtual Q&A

Actress Jane Levy and Critics Michael Phillips, Richard Roeper, Matt Zoller-Seitz, Nell Minow, Brian Tallerico, Eric Pierson, Dion Metzger, and Brenda Butler will be attending in person
 



CHAMPAIGN, IL (April 1, 2025) — Roger Ebert’s Film Festival, also known as Ebertfest, announced today the final three films screening at this year’s festival, to be held April 23-26 at the Virginia Theatre in downtown Champaign:

  • Francis Ford Coppola’s MEGALOPOLIS
  • Walter Salles’ Academy Award-winning I’M STILL HERE
  • Lotte Reiniger’s THE ADVENTURES OF PRINCE ACHMED 

Coppola will participate in a virtual Q&A immediately following the screening of MEGALOPOLIS; Michael Barker, Co-President of Sony Pictures Classics, will discuss the Oscar-winning film I’M STILL HERE, which Sony Pictures Classics distributed domestically; and back by popular demand, The Anvil Orchestra will perform during THE ADVENTURES OF PRINCE ACHMED. 

“It is incredible that Nate Kohn and I are just as excited to present the lineup for this 26th Ebertfest as we were for the first!” said Chaz Ebert, CEO of movie review site Rogerebert.com and cofounder of Ebertfest. “What Roger said about movies being a machine that generates empathy is so true. My heart swells with emotion in anticipation of the films and guests who will join us. And I look forward to sharing this communal film experience with our Ebertfest audience. Roger, we thank you!”

“Echoing Chaz, this year’s lineup is one of the most exciting we’ve ever had,” said Nate Kohn. “There will be lots to celebrate in Champaign this year, and I know Roger would be very proud to see how his festival continues to grow.”

Megalopolis poster

MEGALOPOLIS is a Roman Epic set in an imagined Modern America. The City of New Rome must change, causing conflict between Cesar Catilina (Adam Driver), a genius artist who seeks to leap into a utopian, idealistic future, and his opposition, Mayor Franklyn Cicero (Giancarlo Esposito), who remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare. Torn between them is socialite Julia Cicero (Nathalie Emmanuel), the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.

The film was nominated for multiple awards and had its world premiere at the 77th Cannes Film Festival in 2024. 

“Francis Ford Coppola has once again given us big ideas to digest,” said Chaz Ebert, “Are the characters in Megalopolis akin to those in Rome before its collapse, or can we find some redemption in acts seemingly small, but that portend hope for the future. Does Coppola’s film hold a mirror up to today’s society? And if so, does this master director give us a roadmap to avoid similar obstacles? We will eagerly pose these questions and others when he appears after the screening of this gorgeously shot film.”

I'm Still Here poster

I’M STILL HERE is set in Brazil, 1971, as it faces the tightening grip of a military dictatorship. Eunice Paiva, a mother of five children, is forced to reinvent herself after her family suffers a violent and arbitrary act by the government. The film is based on Marcelo Rubens Paiva’s biographical book and tells the true story that helped reconstruct an important part of Brazil’s hidden history.

The film had its world premiere at the 81st Venice International Film Festival in 2024 where it was critically acclaimed and received the Best Screenplay Award. I’M STILL HERE, which is certified fresh on Rotten Tomatoes with a score of 97%, has continued winning over audiences globally and earned 69 nominations and 49 awards including a Golden Globe Award and the Best International Feature Film Academy Award, the first-ever Brazilian produced film to win an Academy Award. 

“Through Fernanda Torres’ formidable presence, the deliberate I’M STILL HERE, a film that locates further meaning in the face of Brazil’s present Far-Right wave, remains in the heart long after the picture fades,” said Robert Daniels in his 4-star review for RogerEbert.com.

The Adventures of Prince Achmed poster

THE ADVENTURES OF PRINCE ACHMED is a fantasy animated film from 1926 that tells the story of a handsome prince with a flying horse who befriends a witch, meets Aladdin, and battles demons to win a princess’ heart. The screening will feature a performance from Ebertfest’s audience favorite group The Anvil Orchestra. 

Newly announced guests include actress Jane Levy (A LITTLE PRAYER), and critics Michael Phillips, Richard Roeper, Matt Zoller-Seitz, Nell Minow, Brian Tallerico, Eric Pierson, Dion Metzger, and Brenda Butler.

As previously announced, the 2025 Roger Ebert’s Film Festival will open with a new 70mm print of the Western classic THE SEARCHERS (1956), starring John Wayne and Natalie Wood on Wednesday, April 23. Additionally, Guy Maddin’s RUMOURS will screen, and Todd Phillips’ THE HANGOVER will close out the festival on Saturday, April 26. The festival recently announced a 40th anniversary screening of Susan Seidelman’s DESPERATELY SEEKING SUSAN, 35MM screenings of both Azazel Jacobs’ HIS THREE DAUGHTERS and Barbara Kopple’s HARLAN COUNTY U.S.A., and screenings of Baltasar Kormákur’s TOUCH, Angus MacLachlan’s A LITTLE PRAYER, and David Fortune’s COLOR BOOK.

Ebertfest tickets and passes are currently available to purchase online or by calling the Virginia Theatre box office at 217-356-9063. Individual tickets to each film cost $20, while festival passes to see all films cost $200, with both including reserved seating. Four-film bundles are available for $65.

2025 Ebertfest Film Schedule

WEDNESDAY, APRIL 23
6:30 p.m.: The Searchers

THURSDAY, APRIL 24
9:00 a.m.: Megalopolis
1:30 p.m.: Desperately Seeking Susan
5:00 p.m.: Harlan County U.S.A.
9:30 p.m.: His Three Daughters

FRIDAY, APRIL 25
10:30 a.m.: A Little Prayer
2:30 p.m.: I’m Still Here
7:30 p.m.: Rumours

SATURDAY, APRIL 26
9:00 a.m.: The Adventures of Prince Achmed
11:30 a.m.: Color Book
4:00 p.m.: Touch
9:00 p.m.: The Hangover

Roger Ebert was a Pulitzer Prize-winning film critic for the Chicago Sun-Times, a University of Illinois journalism alumnus, and an Urbana native.

Chaz Ebert is also the author of the indie bestseller It’s Time to Give A FECK: Elevating Humanity through Forgiveness, Empathy, Compassion, and Kindness.

Ebertfest is hosted by Chaz Ebert and Nate Kohn, the festival director since the very beginning, in collaboration with the College of Media at the University of Illinois Urbana-Champaign.

For additional information, including the full festival schedule, please visit https://ebertfest.com/, and follow us on social media:

To become a supporting Festival Sponsor please contact Molly Cornyn, the Festival Coordinator, at mcornyn2@illinois.edu. 

###

PRESS CONTACTS:

Molly Cornyn
mcornyn2@illinois.edu
217-333-1590

Lee Meltzer
Lee@LeeMeltzerConsulting.com
551-208-8617

Share on social

Editor’s Note: Although originally announced as attending, unfortunately, actress Carrie Coon had to cancel attending Ebertfest with her film His Three Daughters. Director Azazel Jacobs will still be participating in the post-screening discussion.

Advertising and ICR faculty, students present research at 2025 American Academy of Advertising Conference



Advertising faculty and graduate students in the MS advertising and ICR doctoral programs, as well as several alumni, participated in the 2025 annual conference of the American Academy of Advertising, held March 6-9 in Pittsburgh, Pennsylvania.

ADV and ICR students at 2025 AAA
ICR doctoral student Alice Ji and advertising graduate student Ruiheng (Rachel) Sun co-present “TikTok Made Me Buy It” at the 2025 AAA conference.

Faculty and graduate students participated in eight paper presentations and three panels, discussing research and ideas related to teaching AI and advertising, disability, ethics and data, and more.

As vice president of AAA, Chang-Dae Ham, professor of advertising and associate head of graduate studies, organized the research paper reviews and conference program and Kevin Wise, professor of advertising, served as chair of AAA’s graduate student committee.

The full list of Illinois papers and authors included:

“Finessing Realism: Harmonizing Behavioral Realism and Message Framing in Virtual Influencer Advertising – Mind Perception Theory Application”
Seo Jeong Heo, Se Il Park, Floria Yujin Lee

“Does Authenticity Matter? The Impact of Visual Realism and Humanlike Expressions on the Effectiveness of Virtual Influencers”
Jinping Wang (University of Florida), Assistant Professor Guolan Yang

“Navigating Consumer Acceptance of Cultured Meat: An Exploratory Narrative Review of Communication Strategies”
Ziyang Gong, Tianli Chen, Yan (Anna) Liu, Associate Professor Leona Yi-Fan Su, Jingen Xuan

“In Watermark We Trust? Exploring How Consumers Cope with AI Influencer Advertising: Multidimensional Persuasion Knowledge and Construal Level Approach”
Se Il Park, Floria Yujin Lee, Seo Jeong Heo

“TikTok Made Me Buy It: Breaking Expectations with Shoppable Ads”
Alice Ji, Muskan Khowaja, Kevin Gilloly, Haoxue Luo, Nelson Oshodi, Zoe Randolph, Ruiheng Sun, Chun-Yao Wang, Professor and Head Michelle Nelson

“Exploring How Consumer Evaluation of Social Justice Issues Influence Brand Activism Effectiveness”
Assistant Professor Louvins Pierre, Carolyn Lin (University of Connecticut)

“Understanding Consumer Engagement with Vertical Farming Brands on Twitter: An Approach Using Guided Latent Dirichlet Allocation for Topic Modeling”
Junqi Shao, Tianli Chen, Associate Professor Leona Yi-Fan Su

“When Virtual (vs. Human) Celebrity Voice Matters: Interplay between Celebrity Type and Endorsing Message – Construal Level Theory Application”
Floria Yujin Lee, Seo Jeong Heo, Se Il Park

Panels

“Teaching Data Ethics in Advertising: Pedagogical Approaches That Meet Industry Demand“
Natalie Brown Devlin (University of Texas at Austin), Associate Professor Ewa Maslowska, Daniela Molta (Syracuse University), Associate Professor Harsh Taneja

“Generative AI and the Future of Advertising Creativity: Bridging the Gap Between Academia and Industry”
Weizi Liu (Texas Christian University), Yanyun (Mia) Wang (University of Boulder), Assistant Professor Louvins Pierre, Tripp Westbrook (Firehouse Agency), Linda Groendyke (Digital Insights Labs), Jon Irwin (Liquid Agency)

“Disability DEI in Advertising: Preparing Future Advertising Professionals to Embrace Disability Authentically in Their Work”
Cathy Chan Butler (American Association of Advertising Agencies), Josh Loebner (VML), Professor and Head Michelle Nelson, Edward Timke (Michigan State University), Beth Haller (Towson University), Erin Whiteside (University of Tennessee), Summer Shelton (Limelight Insights by Shugoll), Maria DeMoya (University of Tennessee), Eric Haley (University of Tennessee)

Share on social

Ebertfest adds Barbara Kopple’s Academy Award-winning ‘Harlan County U.S.A.,’ Angus MacLachlan’s ‘A Little Prayer,’ and David Fortune’s ‘Color Book’

Actors David Strathairn, William Catlett, and Jeremiah Daniels, two-time Academy Award-winning documentarian Barbara Kopple, and directors Angus MacLachlan and David Fortune join this year’s star-studded lineup



CHAMPAIGN, IL (February 20, 2025) — Roger Ebert’s Film Festival, also known as Ebertfest, announced today the addition of three new films to this year’s festival, to be held April 23-26 at the Virginia Theatre in downtown Champaign:

  • Barbara Kopple’s Academy Award-winning HARLAN COUNTY U.S.A.
  • Angus MacLachlan’s A LITTLE PRAYER starring David Strathairn, Jane Levy, Celia Weston, Will Pullen, Anna Camp, and Dascha Polanco
  • David Fortune’s COLOR BOOK starring William Catlett, Brandee Evans, Terri J. Vaughn, and Jeremiah Daniels
Harlan County USA

Kopple, MacLachlan, Fortune, Strathairn, Catlett, and Daniels will all be making their Ebertfest debuts with each receiving a coveted “Golden Thumb Award” following their screenings.

HARLAN COUNTY U.S.A., winner of Best Documentary at the 1977 Academy Awards, will include a post-screening discussion with director Barbara Kopple. The film, which received critical acclaim and currently holds a 100% Rotten Tomatoes Score, had its world premiere at the 14th New York Film Festival in 1976.   

In this documentary about labor tension in the coal-mining industry, Kopple films a strike in rural Kentucky. After the coal miners at the Brookside Mine join a union, the owners refuse the labor contract. Once the miners start to strike, the owners of the mine respond by hiring scabs to fill the jobs of the regular employees. The strike, which lasts more than a year, frequently becomes violent, with guns produced on both sides, and one miner is even killed in a conflict.

“The film retains all of its power, in the story of a miners’ strike in Kentucky where the company employed armed goons to escort scabs into the mines, and the most effective picketers were the miners’ wives—articulate, indomitable, courageous,” said Roger Ebert in his 4-star review.  

A LITTLE PRAYER will be complemented with a post-screening discussion with director, writer, and producer Angus MacLachlan and actor David Strathairn. The film had its world premiere at the 2023 Sundance Film Festival. 

A Little Prayer film still

The film follows a man who tries to protect his daughter-in-law when he discovers his son is having an affair. A LITTLE PRAYER touches upon a variety of issues in a changing modern South, including a woman’s volition over her own body, war veterans grappling with PTSD, and the limits of patriarchal interference. 

“Our festival line-up has been carefully curated to give our loyal Ebertfest audiences films that will make them laugh and may make them cry, but even more important, these films and our guests will serve to confirm that we are all in this together,” says Ebertfest Co-Founder Chaz Ebert. “We gather to understand each other better, but also to just have fun!”

COLOR BOOK will be presented with a post-screening conversation with director David Fortune, cast members William Catlett and Jeremiah Daniels, and producer Kiah Clingman. The film had its world premiere at the 2024 Tribeca Festival in NYC. COLOR BOOK’s Ebertfest debut will be sponsored by the Alliance for Inclusion and Respect. 

Color Book film poster

COLOR BOOK tells the story of single father Lucky who, following his wife’s recent passing, finds himself navigating the challenges of raising his son Mason, who has Down syndrome. Seeking solace, Lucky and Mason embark on a journey across Metro Atlanta to attend their first baseball game together. Throughout their day-long trip, they encounter Murphy’s Law. From car breakdowns to missed trains, the duo faces a series of obstacles that test their relationship with each other. Despite the setbacks, they persevere, determined to reach the game. COLOR BOOK provides an intimate portrait of a father and son while exploring the experiences of raising a child with Down syndrome, highlighting the strength and resilience that emerge from their bond.

The 2025 Roger Ebert’s Film Festival will open with a new 70mm print of the Western classic THE SEARCHERS (1956), starring John Wayne and Natalie Wood on Wednesday, April 23. Additionally, Guy Maddin’s RUMOURS will screen, and Todd Phillips’ THE HANGOVER will close out the festival on Saturday, April 26. The festival recently announced a 40th anniversary screening of Susan Seidelman’s DESPERATELY SEEKING SUSAN, as well as screenings of Azazel Jacobs’ HIS THREE DAUGHTERS and Baltasar Kormákur’s TOUCH. 

Additional updates to the festival program will be announced in the coming weeks.

Ebertfest passes are currently available to purchase online or by calling the Virginia Theatre box office at 217-356-9063. Individual festival passes to see all films cost $200, which includes reserved seating.

Roger Ebert was a Pulitzer Prize-winning film critic for the Chicago Sun-Times, a University of Illinois journalism alumnus, and an Urbana native.

Chaz Ebert is also the author of the indie bestseller It’s Time to Give A FECK: Elevating Humanity through Forgiveness, Empathy, Compassion, and Kindness.

Ebertfest is hosted by Chaz Ebert and Nate Kohn, the festival director since the very beginning, in collaboration with the College of Media at the University of Illinois Urbana-Champaign.

For additional information, please visit ebertfest.com, and follow us on social media:

Facebook: https://www.facebook.com/Ebertfest/
Instagram: https://www.instagram.com/ebertfest/ 

To become a supporting Festival Sponsor please contact Molly Cornyn, the Festival Coordinator, at mcornyn2@illinois.edu. 

Youngin Kang

Email: youngin3@illinois.edu

Research Interests

I interrogate the politics of popular cultures hiding under the cloak of spectacular glitz, through interdisciplinary approaches within cultural studies. My work invites the readers to (re)visit the power relations of languages in contemporary cinema and the pop music industry or to explore a complicated ecosystem of female fandom. 

From Seoul, where I completed a four-year BA program in Journalism and Communications in just three years, graduating summa cum laude, via London, where I obtained my MA degree in Gender, Media and Culture with Distinction at Goldsmiths, University of London, to Urbana-Champaign, my current home in which I pursue my PhD in media studies, I have been traveling around the world to refine my insights in the historical and geopolitical understanding of cultural phenomena.

Recent Publications/Presentations

Kang, Youngin. Forthcoming. “The Skin Heard Yellow: Raciolinguistic analysis of K-pop “girl idols” within (post)colonial power dynamics.” In A World of Contradictions: Culture and Identity in the Roiling of Globalization, edited by Cameron McCarthy, Warren Crichlow, Theodora Kourkoulou, Manuel Pérez Tronconso, and Adrian Wong. Common Ground Research Networks. 

Kang, Youngin. “Cultural Politics Surrounding the “Girl Idols” of the K-pop Industry.” Presented at Left Undone: The Union for Democratic Communications 2023 Conference, Philadelphia, PA, October 14, 2023. 

Kang, Youngin. 2022. “Beyond the Layout: Reading South Korean Animations as Affective-Performative Assemblages.” Feminist Media Studies 22 (8): 1885–1901. doi:10.1080/14680777.2021.1939401. (Published online: June 15, 2021)

Courses Taught

  • MACS 100: Introduction to Popular TV and Movies 
  • MACS 101: Introduction to Media Studies 

Included on the List of Teachers Ranked as Excellent: Fall 2024 (MACS 101), Spring 2024 (MACS 101), Fall 2023 (MACS 101), and Spring 2022 (MACS 100).

Awards and Honors

  • Travel and Research Grant from Roger Ebert Center for Film Studies 2023 
  • Korean Government Scholarship Program for Study Overseas 2017

What Most People Don’t Know about Me

I love dancing secretly, and silently, alone in my room with headphones on.

Jiwon Jenn Oh

Jiwon Jenn Oh

Email: jiwono2@illinois.edu

Research Interests

Jiwon’s research interests broadly encompass transnational and feminist STS, AI ethics and governance, Asian technocultures, and human-machine communication. Her current projects delve into AI governance and the shifting notions of intimacy and creativity shaped by AI in South Korea, as well as the dynamics of Western technological influence and forms of resistance within East Asian spaces. Rooted in critical examinations of historical and contemporary narratives, her research interrogates the lasting impacts of colonialism, capitalism, and liberal humanism and how these forces both shape and are shaped by hyperproductionist technocultural developments in East Asia. 

Jiwon received her M.A. in Communication from Seoul National University and B.S. in Media, Culture, and Communication from New York University.

Recent Publications/Presentations

Oh, J. J. (2025). Navigating Gendered Anthropomorphism in AI Ethics: The Case of Lee Luda in South Korea. In 58th Annual Hawaii International Conference on System Sciences (HICSS). https://hdl.handle.net/10125/109659.

Courses Taught

  • MACS 100: Intro to Popular TV & Movies

Academic Roles

  • Research Assistant, Community Data Clinic

Related Links

Jennifer Cintron

Jennifer Cintron

Email: jc118@illinois.edu

Research Interests

  • Film Theory and Criticism 
  • Gender and Women’s Studies 
  • Adaptation Theory 
  • Television Studies

Recent Publications/ Presentations

“Them that Fabricate: Interpretations of Conservative Religions in Independent Film”, Console-ing Passions International Conference. Bloomington, IN. June, 2024 

“Mapping Found Footage Tropes in the True Crime Genre”, Popular Culture Association National Conference. Chicago, IL. March, 2024.

Courses Taught

  • MACS 101 Introduction to Media 
  • MACS 100 Introduction to Popular TV & Movies

Academic Roles

  • Assistant at The Roger Ebert Center for Film Studies

Awards and Honors

  • University of Illinois List of Teachers Ranked Excellent (2022-2024) 
  • Michael Schoenecke Travel Grant for Graduate Students (2024, 2025)

Sakshi Bhalla

Sakshi Bhalla

Email: sakshib3@illinois.edu

Research Interests

  • News
  • Media
  • Politics
  • Information
  • Methodology

Recent Publications/Presentations

R Ray, S Bhalla, H Taneja. (2025). Partisan news users in the United States and India on either side seldom use fact checkers. Journal of Communication, https://doi.org/10.1093/joc/jqaf018

Bhalla, S., Nelson, M. R., & Spikes, M. (2025). Classroom contexts: Teachers talk teaching media literacy. Journal of Media Literacy Education, 17(2), 37-52. https://doi.org/10.23860/JMLE-2025-17-2-3

Bhalla, S., Ray, R., & Taneja, H. (2024). When news is entertainment: explaining the persistence of misinformation through the information environment. Information Communication & Society, 1–20. https://doi.org/10.1080/1369118x.2024.2406819

Khan, A., S Natarajan, S Bhalla, Climate Strikes in Millennial India: Social Capital and “On-Ground” Networks in Digital-First Movements, Communication, Culture and Critique, Volume 14, Issue 3, September 2021, Pages 518–523, https://doi.org/10.1093/ccc/tcab035

Courses Taught

  • ADV 483 Audience Analysis

Awards and Honors

  • Illinois Distinguished Fellowship 
  • Phi Kappa Phi

Related Links

https://sakshi-bhalla.github.io/

Namita Gupta

Namita Gupta

Email: namita2@illinois.edu

Research Interests

Namita is a PhD student at the Institute of Communications Research, with an interest in examining urban technologies and platform economies in South Asia. She is particularly interested in the everyday functioning of these technologies in relation to questions of class, gender and caste.

She has a BA and MA in English-language literature from Lady Shri Ram College for Women (India) and Shiv Nadar University (India) respectively.

Recent Publications/Presentations

Gupta, N. “Gated Bodies: Analyzing Class Hierarchies and
Surveillance Technologies in Indian Residential Communities” Annual Conference on South Asia. University of Wisconsin: Madison. November 2024.

Kulkarni, V., Gupta, N., & Panicker, A. (2024). Creating ‘safe’ spaces through exclusionary boundaries: Examining employers’ treatment of domestic workers during the COVID-19 pandemic in India. Human Relations, https://doi.org/10.1177/00187267241275864

Gupta, N. “The Many Faces of the Gendered Nation: A Study of the Representation of Women in Amul’s Popular Media Content.” Annual Conference of Popular Culture Association. March 2024.

Gupta, N. “Amul Girl’s India: Constructing a National Memory in Advertisements.” International Association for Media and Communication Research Annual Conference. June 2023.

Kulkarni, V., Gupta, N. (Presenter), & K.B. Neog. “Hurt Sentiments or Misogyny?: Reading Partisan News Coverage of Agrima Joshua’s ‘Offensive’ Joke”. International Communication Association Annual Conference 2023. May 2023.

Courses Taught

  • MACS 100: Intro to Popular TV & Movies (Fall 2023-Spring 2025)

Awards and Honors

  • Illinois Distinguished Fellowship 2022
  • Lynne Blanton Student Travel Award 2023
  • James Webb Young Travel Fund 2024
DEV College of Media
119 Gregory Hall
810 S. Wright St.
Urbana, IL 61801
217-333-2350