Advertising 9 | DEV College of Media

College of Media collaborates with University, community partners to offer local children access to new opportunities in education, technology

April 10, 2024 | Kelly Youngblood

Steve Hall with Boys & Girls Club — *Steve Hall, senior lecturer in advertising, leads Boys & Girls Club students through a workshop on “Advertising for Good.”* *(Photos by Paige Duncan.)*

The College of Media is collaborating with University of Illinois and community partners to present educational workshops to local children this spring as part of a new public engagement effort.

The collaboration between the College of Media and the Center for Social and Behavioral Science focuses on creating hands-on educational content appropriate for 3^rd– and 4th-grade students in the Don Moyer Boys & Girls Club of Champaign, which is housed at the Martens Center in Champaign.

“One of the College of Media’s priorities is to enhance our activities in public engagement and access,” said Jason P. Chambers, associate dean for diversity, equity, and inclusion, and professor of advertising. “Faculty and staff were eager to sign up to share their expertise in fun, engaging ways with schoolchildren.”

College of Media faculty are leading four programs in April, offering new opportunities in education and technology and helping students understand different media topics.

“This first-time collaboration between the University and the Martens Center is not just exciting but a big game changer for community outreach and education, providing a unique opportunity for the University of Illinois to deliver transformative experiences to our community,” said Paige Duncan, community engagement specialist at the Center for Social and Behavioral Science.

Duncan said the College of Media was selected as the pilot module for the CSBS area of programming because their goal is to give elementary school students an introduction to a breadth of science learning opportunities, including different concepts from the social and behavioral sciences.

“We are excited about the College of Media’s programming because it gives children a window into the making of different types of media, which is likely to increase their media literacy. We hope they will become better consumers of media—for example, in terms of judging the veracity of advertisements and movies,” Duncan said.

Steve Hall, senior lecturer in advertising, held the first workshop, about “Advertising for Good.”

“It was a remarkable opportunity to help [the children] learn how they have the ability to positively impact the world with their ideas, creativity, and advertising,” Hall said. “The kids were super energetic, enthusiastic, always asking questions, and full of insights.”

The joint effort between the University units, the Champaign Park District, and the Boys & Girls Club is part of the Chancellor’s Call-To-Action Campus-Community Compact to Accelerate Social Justice.

The College of Media workshops include:

Advertising for Good
Steve Hall, senior lecturer in advertising
Students will learn how advertising and creativity can be used for public and social good through the power of storytelling. Plus, a fun, hands-on creative challenge will allow students to generate their own ideas to create a positive impact in their own schools and communities.

Fly Like Harry Potter: How Green Screens Work
Victor Font, lecturer in media and cinema studies and Susan Muirhead, advertising staff and adjunct faculty
This hands-on workshop teaches students about the green screen process and how this technique is used in films. Students will be able to dress up in costume, pretend to fly on a broomstick, and then watch the editing process to remove the green background creating the final effect.

Advertising Literacy
Michelle Nelson, professor and head of the Charles H. Sandage Department of Advertising, and Marisa Peacock, lecturer in advertising
This session will provide students with an understanding of the purpose and fun one can have with advertising. Through discussion, brainstorming, and hands-on activities, students will create an ad promoting healthy food products.

Introduction to Journalism and the Role of Reporters
Colleen King, director of the Richard and Leslie Frank Center for Leadership and Innovation in Media and clinical assistant professor in journalism, and Faith Lee, Mark L. Brandt Public Engagement Fellow and a junior in journalism
Following a presentation about what a journalist does, Genesis Bryant, a guard on the Illinois women’s basketball team will join the student group via Zoom for a Q&A. Using a guided worksheet, students will then write a story about the student athlete.

(Photos by Paige Duncan.)

Dr. Mike Yao explains how AI bias reflects back human beliefs

April 2, 2024 | NPR Illinois

There are biases in AI in how it works, biases in the data that we feed to the AI to train them, there are biases in the way in which AI is being used and implemented, and then there are also biases and psychological processes at the psychological level that we bring naturally when we interact with AI technology.

Mike Yao, Professor of Digital Media

Mike Yao, professor of digital media in the Charles H. Sandage Department of Advertising and director of the Institute of Communications Research, explained to NPR’s Community Voices how AI bias is generated by humans and reflects back what it learns from inputs humans provide it. He also discussed how AI can be helpful when designed with human needs in mind.

Hear the interview

Students explore media industry in Chicago during inaugural spring break media tour

March 27, 2024 | Kelly Youngblood

A group of College of Media students participated in a spring break media tour in Chicago, meeting Illinois alumni and visiting various industry sites including advertising agencies, news organizations, and a film studio.

Led by faculty members Victor Font, lecturer in media and cinema studies, and Margaret Ng, assistant professor in journalism, seven students attended the three-day trip, held March 10-12.

The inaugural trip was an experiential learning opportunity for students to discover more about media-related careers firsthand.

Bekah Douglas, a junior in media and cinema studies, described the trip as a “once-in-a-lifetime journey” and credits her family and College of Media donors for making the trip possible.

“I was so lucky to attend the College of Media’s spring break trip and have the chance to meet with the artists that make Chicago (and the world) a better place. The opportunity to travel outside of the classroom, to network, to explore the possibilities of media is priceless,” Douglas said.

For Douglas, visiting the Lyric Opera of Chicago to participate in a press announcement for the 2024 season with Holly Gilson and her PR staff and touring the opera house, was her favorite memory.

“I have been a devoted opera fan for many years, so getting to learn the history behind the building and hearing from the artists who make the shows possible was very emotional for me,” Douglas said.

Ng also enjoyed the opera house, where students had the chance to sit on stage alongside professional journalists and watch brief vocal performances that previewed the upcoming season.

“Witnessing the opera house’s level of preparation was a captivating experience. Additionally, observing reporters at work during a press conference taught us a great deal about media coverage of the arts,” Ng said.

Students also met alumna Judy Hsu (BS ’93, journalism), ABC7 evening news anchor, along with other anchors and hosts, and watched a live news broadcast (pictured at right).

“We were right behind the camera, watching the entire hour-long program unfold,” said Ng. “[The anchors] interacted with the students during the short off-camera intervals. They were so friendly and easygoing, yet they could swiftly transition back to delivering news concisely and professionally within a few seconds. I was deeply impressed by their focus and professionalism.”

Gavin Schroeder, a senior in media and cinema studies, said the trip was not only fun but informative. He enjoyed meeting other Media students and talking with professionals in their respective fields.

“[The trip] opened my mind to the similarities that people in the workforce experience. What I took away most was the advice on how to assert yourself and stand out, along with knowing how to work in a team environment,” he said.

Schroeder said meeting with communications staff and touring McDonald’s International Headquarters was impressive. As an aspiring filmmaker, the highlight of the trip for him was a meet and greet with Gordon Quinn, founder of Kartemquin Films (pictured at right).

Penny Bradford, a junior in journalism, was also inspired by a visit to the production studio. She said Quinn’s dedication to public media and storytelling allowed her to see a career she had not yet considered.

“Overall, the trip brought unique experiences and allowed us to connect with [alumni] of the University, along with others that are currently in positions we may want to see ourselves [in],” Bradford said.

Payton Jarzyna, a senior in advertising, said the trip sparked excitement as she will soon enter the workforce.

“I learned about a lot of fields I didn’t even realize I could go into. I also learned more about the job application process, and how to stand out as a candidate,” Jarzyna said. “The businesses we visited and the people we talked to were super knowledgeable and helpful.”

The itinerary also included conversations with:

Michael Phillips, Chicago Tribune film critic and mentor to the College of Media Roger Ebert Fellows
Geno Schellenberger (BS ’20, advertising), communications director at Havas Chicago
Suheily Davis (BS ’04, journalism), vice president, global chief diversity officer, McDonald’s International Headquarters
Journalism alumni who work in nonprofit communications and fundraising, including Samantha Kiesel (BS ’13), marketing content manager at Boys and Girls Club of Chicago; Isabel Morales (BS ’13), media relations manager at the Nature Conservancy; and Rosie Powers (BS ’12), strategist for Mission Minded; along with Sarah Morris, Associate Vice Chancellor for Regional and International Advancement at the University of Illinois

In addition, students were invited behind the scenes to see:

A model and perimeter tour of the Barack Obama Presidential Library with UIC alumna Rebecca Silverman and the communications and content staff at the Obama Foundation
Blackhawks Live coaches show with Jon Hansen (BS ‘06, journalism) and Joe Brand at WGN Radio (pictured at right)
Google with advertising alumni Katelyn Pringle (BS ’09) and Stephanie Stewart (BS ’08, advertising), both senior account executives

See more photos from their trip.

Advertising and ICR faculty and graduate students recognized at 2024 AAA conference

March 22, 2024

Faculty and graduate students in the Charles H. Sandage Department of Advertising and Institute of Communications Research were honored with awards and presented research at the annual conference of the American Academy of Advertising, held March 14-17, 2024, in Portland, Oregon.

Professor Michelle Nelson, head of the Charles H. Sandage Department of Advertising, won AAA’s Career Award, the Ivan L. Preston Outstanding Contribution to Research on Advertising Award. As AAA’s top research award, this is designed to honor an individual who has made an outstanding contribution to the discipline of advertising through a systematic and sustained program of published research. The award carries a $1,000 prize. This award is given only to active AAA members for exemplary research on advertising across 20 years or more.

Chang-Dae Ham, associate professor of advertising and associate head of graduate studies, was elected vice president of AAA and began his term on the executive committee.

Kevin Wise, professor of advertising, was appointed head of AAA’s graduate student committee.

ICR student WooJin Kim (Advisor: Chang-Dae Ham) won a doctoral dissertation competition award for “When Humans Anthropomorphize Nonhumans: Examining the Role of AI Interactivity and Human Motivations.” Floria Yujin Lee, a graduate student in advertising, won a travel fellowship award.

(Pictured at top: Professors Sela Sar at left, Michelle Nelson in center, and Chang-Dae Ham at right at the conference with graduate students.)

Presentations

Pre-Conference Panel Session: “How to Develop a Successful Journal Submission: Advice from Editors and Leading Experts” – with presentation “Best practices for experimental studies” by Sela Sar, professor of advertising

Special Session: “Stepping out of the Ivory Tower: Engaged Research & Teaching in Advertising” led by Professor Michelle Nelson

Research paper presentations:

“Hey, You Put Ads in My Netflix: How Audiences Negotiate the Changing Streaming Video Landscape”
Floria Yujin Lee (MS Advertising), Masashi Fukada (MS Advertising), Paris Baptiste (MS Advertising), Xinle Du (MS Advertising); Professor Michelle Nelson

“Exploring Motivation to Follow Virtual Influencers (VIs): The Role of Emotional Attachment as a Mechanism for Generating Positive Effects in VI-Endorsed Advertising”
Professor Chang-Dae Ham and Seo Jeong Heo (ICR)

“When Lonely Hearts Meet Talkative Artificial Intelligence (AI) Chatbot: Exploring the Role of AI Interactivity in Sociality Motivation in the Context of AI-Powered Advertising”
WooJin Kim (ICR), Professor Chang-Dae Ham, Dongchan Lee (Northwestern University), Se Il Park (ICR), Seo Jeong Heo (ICR), Floria Yujin Lee (MS Advertising)

Michelle and Regina with alpaca and llama

(Pictured above: Alumna Regina Ahn (MS ’14, advertising; PhD ’19, ICR) and Professor Michelle Nelson met a llama and alpaca during the AAA conference.)

See more photos from the conference.

Advertising alum wins prestigious award for ag entrepreneurism

Alumna Karlie Elliott Bowman (BS ’09, ACES; MS ’10, advertising), and her husband Andrew Bowman, were awarded the 2024 Glen “GB” Brandt Prize for Ag Entrepreneurism, announced during the 2024 AgTech Summit hosted by the University of Illinois Research Park.

The prestigious award recognizes a grower, producer, or farmer who exemplifies an entrepreneurial spirit and advances innovation in agricultural practices and products.

Working with the University of Illinois, the Bowmans have developed new popcorn hybrids, resulting in specialty red and blue “hull-less” popcorn. They market the product behind the tagline, “No toothpicks required.” They have also pioneered an automated in-store popcorn demonstration unit, a reflection of their forward-thinking approach to product marketing and customer engagement.

The Bowmans are fifth-generation farmers near Oneida, Illinois, with more than 1,800 acres of corn and soybean seed beans. Karlie is also an account manager at Hill+Knowlton Strategies, one of the world’s leading strategic communications companies.

How will generative artificial intelligence affect political advertising in 2024?

March 7, 2024 | University of Illinois News Bureau

It’s estimated that $12 billion will be spent on political ads this election cycle—30% more than in 2020. The sheer volume of ads is remarkable, and there is vast potential to use this political information to contribute to democracy: to reach more potential voters and provide accurate information. There’s also more potential than ever for generative artificial intelligence to misrepresent candidates and policies, leading to confusion in the voting booth. News Bureau editor Lois Yoksoulian spoke with advertising professor and department head Michelle Nelson about the topic.

How is AI used in political ads, and what are some recent examples of AI-generated political ads?

After President Joe Biden announced his re-election bid, the Republican National Committee released an AI-generated political advertisement that depicted a dystopian world should Biden be re-elected. The video ad features a number of “what if” questions (e.g., What if crime worsens?) with AI-generated images. This is a classic fear appeal-negative attack ad. Emotional ads reach us, and we remember them—like the famous Daisy political ad used during the 1964 election cycle or the Willie Horton ad used in 1988. But they may also get some backlash for being too negative, too manipulative, especially because they are using AI.

Some say the Joe Biden RNC ad is the first AI-generated ad, but it’s hard to prove. However, in the top left corner of the ad, you see a disclosure in a small font: “Built entirely with AI imagery.” The video description on the GOP’s YouTube page says, “An AI-generated look into the country’s possible future if Joe Biden is re-elected in 2024.” So they are not hiding the use of AI. There’s also a spoof ad that ran on The Daily Show, which uses an AI-generated voiceover for Biden. It’s pretty easy these days to use AI tools to create content and make it look pretty real.

Are the entities behind these types of ads required to disclose that AI has been used?

The Federal Election Commission, the governmental body that regulates political communication, including advertising in the U.S., sought public comments on amending a regulation related to the use of deliberately deceptive AI in campaign ads at their meeting titled 2023: REG 2023-02 Artificial Intelligence in Campaign Ads. They have not yet made a ruling here. However, states such as California, Texas, Michigan, Washington, and Minnesota have enacted new state laws where any deepfake AI images, video, or audio need to be labeled in. A similar law is being discussed here in Illinois. It’s not clear how these state laws relate to the Constitution.

Some tech companies have started requiring disclosures. For example, Google indicated that all AI-generated political ads shown on YouTube or other Google platforms “that alter people or events” must have a prominent disclosure. There is also a verification process for political ads in some regions.

Microsoft has started their “Content Credentials as a Service” which is like a watermarking tool—it lets users digitally sign and authenticate the media—whether it’s an image or video through their Coalition for Content Provenance and Authenticity. The idea is that the watermark serves as metadata so users can see the history of the content. For example, “how, when, and by whom the content was created or edited,” whether by a person or AI. This information stays with the content so anyone can see the origin.

To what extent AI-generated political content is now being watermarked or disclosed I have no idea. It seems difficult to police all of these images at this moment in time.

What is the potential harm of using AI in political ads?

The concerns for harm relate to possibilities for deepfakes and disinformation. Others can re-create something using AI voice or images without authorization to create stories and content that are absolutely untrue.

We’ve had tools and technology in the past, like Photoshop to manipulate existing images. Do you remember the 2004 ads featuring altered photos depicting John Kerry, the Democratic nominee for president, and Jane Fonda at an anti-Vietnam War rally? Ads are regularly embellished or altered: The colors or lighting are changed to make people look ominous or more youthful. But this is different. This is a whole new level. Anyone can make AI messages using free tools such as Open AI’s ChatGPT or Google’s Bard. This may be good when used responsibly, or it may be harmful.

Our research shows that many people don’t know that the First Amendment protects political advertising in the U.S. Political advertising is not held up to the same standards as commercial advertising, say for a cheeseburger. The Truth-in-Advertising laws by the Federal Trade Commission do not apply to political ads. That means political ads can legally be deceptive or lie. Of course, there are libel laws, but they are rarely used in this arena.

Beyond this regulatory difference in commercial and political advertising, the idea is that we want free-flowing political information to contribute to a dialogue that can enhance our democracy. Too much regulation can have a chilling effect on political speech. Yet the potential today with AI to lie and deceive and to deploy these messages in a personalized manner and at a grand scale offers a challenge perhaps to our thinking about regulation and political advertising.

Do you have any advice on how consumers can spot the use of generative AI in political ads?

They can’t. You can look for irregularities like the number of legs on the cat. But it is getting harder and harder to tell if AI makes an image or video. Whether it’s Taylor Swift, an image of Trump in jail, or a funny meme, we can’t always tell, especially as we scroll through our social media feeds. The best we can do is hope that the tech industry develops systems able to trace the origin of the content so we can see who made the image and when and how. If this tech is built in, it’s harder to fool people. We could also encourage disclosure mandates among tech companies.

But in the age of this kind of media and in an election year, we need to focus on the basics of media literacy—looking for reliable sources of information, watching the political debates and trying to form our own informed opinions.

Editor’s note: To reach Michelle Nelson, call 217-344-5068; email nelsonmr@illinois.edu

View original press release.

Q&A with Carrie Wilson-Brown

Get to know some of our College of Media faculty. Carrie Wilson-Brown is a lecturer of media and cinema studies and of advertising.

What’s it like to teach two Media majors?
The Charles H. Sandage Department of Advertising has incredibly creative faculty and creative classes, and we tend to dive into the social sciences. Most research by the tenure-track faculty is on effects: how advertising affects populations, why people are persuaded by particular messages, or what pushes us behaviorally. It’s also capitalism and buying, and for me, what’s so intriguing is coming from a creative space to get to the minutiae of what makes people psychologically tick. In the Department of Media & Cinema Studies, there’s a community of creative people who love film and television; they love to talk about film, television, and storytelling, and also the industry. I’m able to mold them together, but I get something so vastly different from the students and faculty as well.

You double-majored in journalism and communication, yet lecture on different topics. What were your reasons?
It doesn’t seem like it would have relevance with advertising, but some of the relevance is that we read advertising texts like any story, if you think about it. When I ask students, “Why advertising classes,” all can point to an advertisement that tugged at their heartstrings or made them cry or joyous. People who love certain ads see them as a way to tell stories, not only as a way to sell products to audiences. Advertisements are created for more than that, building culture with each one that is produced. On the other hand, I’m mostly doing video production classes, and 15 years later, with social media, this is what people do, and it’s such a beautiful process to see. [Students] are storytellers out of the womb, always with a camera in your hand. I love visual culture; I love helping students create visual culture.

What courses are you teaching currently?
I teach three courses this semester, two in advertising and one in media and cinema studies. I teach ADV 301: Becoming an Influencer; ADV 393: Advertising and Society; and MACS 203: Contemporary Movies. I’ve only taught it twice, but MACS 203 is fun to teach because I take “contemporary” very seriously—something I’ve watched in the past three to four years. There are a lot of films that slipped under the radar during COVID-19, so it’s great to pick newer films. We watch the movie, and then we try to apply concepts in small prompts. It’s one of those spaces of joy for students in their day where I’m like, “Let’s go watch movies.”

What has been your best memory from teaching here?
Last semester, I taught ADV 393: Advertising in Society for the first time, and I don’t have a traditional advertising background. I think when I talk about advertising, it’s from a bit of a different perspective, and there were a couple of moments where a group of four or five students wanted to clap after my lecture because it was such a crescendo. Sometimes, as professors, we get hung up on dictating knowledge, but when someone says they want to clap, they feel engaged with what I was saying and want to listen to me.

What’s one piece of advice you would give to students?
There’s no one way to be successful at college. It’s easy to be trapped because you have friends, roommates, or siblings you see are successful—whatever that looks like to you. Maybe they’re paving their way through higher education in a very particular manner, whether that’s joining groups, being in fraternities or sororities, or staying up until three in the morning. But, if you look around, you are in a community of around 43,000 people, and everybody seems to do their successes differently. Don’t figure out the formula to success because that might not be your formula. Find the way that’s best for you.

—Interview by Chloe Barbarise, New Voices Intern

Advertising alum Ben Behrman promoted to CEO of major Chicago ad agency

Ben Behrman (BS ’09, advertising) was recently promoted to chief executive officer of Schafer Condon Carter, a major ad agency based in Chicago.

Behrman, a 14-year SCC veteran, joined the independent company as an intern in May 2009. He worked his way up from there, holding a variety of positions including account executive, director of digital strategy, and president and chief operating officer before being named CEO in January 2024.

At SCC, Behrman has led campaigns for notable clients including Redbox, Kerrygold, and National Pork Board.

Jason P. Chambers’s new book ‘Advertising Revolutionary: The Life and Work of Tom Burrell’ details ad exec’s influence on industry’s approach to African Americans

January 11, 2024 | Kelly Youngblood

Advertising Professor Jason P. Chambers’s new biography about Tom Burrell, a renowned Black visionary who changed the face of the ad industry for African Americans, will be published on February 6.

While Advertising Revolutionary: The Life and Work of Tom Burrell (University of Illinois Press) will appeal to those interested in advertising and its history, Chambers said it’s written for a broad audience to enjoy.

“If you have an interest in biographies, Chicago, Chicago stories, Chicago entrepreneurs, African American entrepreneurs, what goes into the creation of an advertising campaign, and client relationships, I think you’d be interested in this story,” Chambers said.

Chambers, who is also the associate dean for diversity, equity, and inclusion at the College of Media, describes Burrell as his “favorite person in the history of the [advertising] industry.”

“He started in advertising at a time in which the number of African Americans operating in a professional capacity could have been measured in the dozens,” Chambers said, adding that Burrell was the first Black copywriter at a mainstream agency in Chicago. “He is one of the people who is singularly responsible for helping to get African Americans on TV.”

Burrell not only created a place for African Americans within the advertising industry, but he also changed their representation in advertisements. His concept, known as “Positive Realism,” was relatively simple—present realistic and positive images of African Americans using products and brands—yet it was considered revolutionary at the time.

"Advertising Revolutionary: The Life and Work of Tom Burrell"

Chambers said if you saw a television ad for McDonald’s or Coca-Cola in the 1980s or 1990s that depicted African Americans, Burrell’s agency probably created it.

Thanks to Burrell’s early pioneering efforts, there’s a greater breadth of representation in advertising today, Chambers said. More Hispanic Americans, Asian Americans, LGBTQ community members, and people with different physical abilities are included in current brand messaging than ever before.

Despite a more inclusive environment, Chambers still questions how much of advertising today is culturally sensitive and how much is culturally representative.

“It’s one of those things that can have two steps forward and a step back,” he said. “It’s not linear progress, but it’s nonetheless, progress.”

Chambers, who also co-edited Building the Black Metropolis: African American Entrepreneurship in Chicago in 2017, said the catalyst for his second book occurred while doing research for his first book, Madison Avenue and the Color Line: African Americans in the Advertising Industry, published in 2009.

Chambers had the opportunity to interview Burrell on several occasions during that time. He also spent two weeks at Burrell’s ad agency in Chicago through the Advertising Education Foundation Visiting Professor Program, which Chambers says, “deepened my admiration for him.”

The AEF Visiting Professor Program allows professors to visit advertising agencies to enhance their understanding of current developments and practices in advertising and marketing to inform their teaching and research.

Spending one-on-one time with the industry legend before he retired, coupled with a desire to write a biography, is what led Chambers to call Burrell one day in 2011. Chambers recalls standing in his kitchen, calling Burrell’s office, and thinking “it was a long shot because I was fairly certain that he would try to write his own book.”

After some consideration, Burrell opted not to write his autobiography, opening the door for Chambers to write the book.

Chambers spent the next few years interviewing Burrell, mostly at his home in Chicago, along with several other sources who knew him well.

Challenges did arise throughout the process as Chambers soon realized writing a biography, which relies heavily on oral interviews alongside extensive archival research, can prove difficult. There was even a point when Chambers stepped away from writing the book, having concerns about not being able to interview some key figures in Burrell’s life, such as his original business partner who had passed away before Chambers could interview him.

But Chambers found a renewed motivation after an encounter with two of his professional academic heroes at an event in Chicago.

Christopher Robert Reed, professor emeritus at Roosevelt University, and Darlene Clark Hine, professor emerita at Michigan State University, both African American historians, gave him the push he needed to get back to writing the book.

“After I told them about the struggles that I was having in terms of deciding to move on from the book, they both said the same thing,” Chambers said. “They said write it anyway. Just tell the readers what happened and write it anyway.”

His experience has taught him a few lessons about courage and writing that he shares with his students.

“I think the thing that students have to be reminded of is a lack of confidence in work that you’re going to publish is just part of it, and you have to give yourself a license to have those feelings,” he said. “But ultimately the difference between a writer and somebody who writes is that a writer has to make their work public. They have to try and publish.”

AAF selects four advertising students for diversity, equity, and inclusion program

January 11, 2024 | Faith Lee (Communications Intern) and Kelly Youngblood

Updated 2/15/2024

Four seniors in the University of Illinois chapter of the American Advertising Federation were named to the American Advertising Federation’s Most Promising Multicultural Students Class of 2024—an honor given to only 50 students each year throughout the United States. Honorees include advertising majors Aniya Davis, Lauren Jenkins, Naomi Muuzic, and Olivia Wallace (pictured above).

The selected students participated in an industry immersion program with the highest-level industry executives and companies in New York on February 4-9, 2024. The program included professional development and personal branding workshops, the “Building Bridges for Our Future” Awards Ceremony and Luncheon, and Recruiter’s Expo.

“A really big highlight was attending the different agencies and hearing about their work culture, and what they do, and how much they love what they do in the industry,” Davis said. “I think realizing that going into this industry, it’s going to be filled with passion, it’s going to be filled with excitement…really solidified my knowledge [that] this is what I want to do.”

In 1997, the American Advertising Federation created the Most Promising Multicultural Students program to connect the advertising industry with the nation’s top multicultural college students. Since the program’s inception, the AAF Illinois chapter has had more winners than any other university or college.

Recognizing the top 50 multicultural college seniors across the nation, the Most Promising program promotes diversity, equity, and inclusion within the advertising industry, giving advertising, media, communications, and tech companies the opportunity to tap into high-achieving talent of diverse college students from across the country.

Each year, students of racial or ethnic diversity from the AAF’s 140+ college chapters apply to the program. Advertising leaders select the highest-achieving diverse seniors to participate. This year’s judging panel included thought leaders with a range of backgrounds and experience and from companies such as Amazon Ads, Ogilvy, Snap, The Trade Desk, Vox Media, and Whirlpool.

The event serves as a recruiting opportunity for industry leaders to develop a diverse group, representing the best from the country to serve as the next generation of advertising leaders. It also offers students invaluable network, learning, and immersion experiences with professionals from top advertisers, media companies, and advertising agencies.